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The Bacone style or Bacone school of painting, drawing, and printmaking is a Native American Flatstyle art movement, primarily from the mid-20th century in Oklahoma. This art movement bridges traditional tribally-specific pictorial painting and carving traditions towards an intertribal Modernist style of easel painting. ==Origin== Named for Bacone College, an Indian college in Muskogee, Oklahoma, this style is also influenced by the art programs of Chilocco Indian School, north of Ponca City, Oklahoma, and Haskell Indian Industrial Training Institute, in Lawrence, Kansas. This area features a mix of Southeastern, Prairie, and Central Plains tribes. Tribes from these regions each have their own traditions of pictorial representation, whether in carving or painting; however, removal to Indian Territory in the 19th century disrupted many traditional art practices. Access to Western art materials gave Native artists a new means of self-expression and history recording. Acee Blue Eagle (1907-1959) helped shape the Bacone style. Being Muscogee Creek, Pawnee, and Wichita, he used Southeastern Woodland and Central Plains influences in his work, which frequently portrayed cultural or historic information about his tribes in a stylized, narrative form. Blue Eagle served as director of Bacone's art department from 1935-1939.〔Silberman 47〕 Woody Crumbo succeeded him in 1938.〔Silberman, 86〕 1938 is the year artist Ruthe Blalock Jones gives for the establishment of the Bacone School of Indian painting,〔Wyckoff, 55〕 while some would give the year 1935.〔Parker, Gerri. ("Native American Art in Oklahoma: The Kiowa and Bacone Artists." ) ''DeAnza College.'' 27 July 2004 (retrieved 8 Nov 2009)〕 The Bacone style differs from the two other prevalent flat styles of Native painting of the time: Southern Plains style and the Studio style. The Southern Plains style had its origins in traditional hide painting and Winter counts. After the decline of buffalo herds in the late 19th century, Plains painting evolved into Ledger art, which, under the stewardship of such artists as Silver Horn (1860/1-1940, Kiowa), evolved into easel art, and gained international fame with the Kiowa Five. The Southern Plains style is the most dynamic, action-based of these mid-20th-century painting styles. The Studio style, as taught at the Santa Fe Indian School, built upon the accomplishments of the San Ildefonso Pueblo school of painters and Hopi painters such as Fred Kabotie, who were successful easel artists in the 1910s and 1920s in Arizona and New Mexico. These artists drew upon Pueblo mural painting and pottery painting traditions. Their work often features pastoral scenes in muted colors.〔 Collectively, these three Flatstyle movements were sometimes derided by Native artists in the 1960s as "Bambi Art"–criticized as nostalgic, sentimental, and limited in scope.〔Morand et al, 105〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Bacone school」の詳細全文を読む スポンサード リンク
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